supported by 14 fans who also own “The Return of Madness and Solitude”
Revenant Marquis continues with the subterranean vocals on this album. Percussion sound on all tracks has a very large sound, especially the bass drum. Guitar is generally very clean. The more I listen, the more I get Xasthur vibes, but with a more rock and roll influence. Still very depressive and chaotic. A cool album! QQBeastMode
supported by 13 fans who also own “The Return of Madness and Solitude”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
supported by 13 fans who also own “The Return of Madness and Solitude”
Can you have your black metal with no moronic samples, with guitars downtuned to drill holes in your very self, hypnotizing bass lines, drums that are something more than blast beats and vocals that don't need to be soaked in reverb, and on top of it fast, melodic, headbanging and catchy?
Yes.
p.s. my grandma used to say: never judge a metal album by its intro. YomaBarr